INVITATION AND PROGRAM

Of the II international scientific-practical conference

THEORETICAL AND PRACTICAL FUNDAMENTALS OF MAQOM ART: ISSUES AND SOLUTIONS

28-29 June, 2024

 

Dear _______________________________________________

We invite you to the II International Scientific-Practical Conference on the theme “Theoretical and practical fundamentals of maqom art: issues and solutions”.

The conference will start on June 28, 2024 at 10:00 am at the “Boghishamol” conference hall, Zamin city, Jizzah region.

Zoom ID: 399 942 7532

Zoom Link: https://us05web.zoom.us/j/3999427532?pwd=VP2hGS3rXbK58G1Pwl4d7mLratDK2H.1

Invite to Zoom: 1

 

June 28, 2024

From 8.30 - registration of conference participants.

9.00-10.00 - Coffee break and presentation of innovative, scientific and creative developments.

AGENDA OF THE CONFERENCE

Moderators:

Rustambek ABDULLAYEV – a professor of the State Conservatory of Uzbekistan, a doctor of arts sciences. (Uzbekistan).

Soibjon BEGMATOV - professor of  UzMMSI named after Yunus Rajabi, candidate of sciences of art history (Uzbekistan).

Secretary:

Asatillo SUNNATILLAYEV - Head of the Department of Scientific Research, Innovations and Training of Scientific and Pedagogical Personnel of the Institute of Uzbek National Musical art named after Yunus Rajabi, docent (Uzbekistan).

10.00 - OPENING OF THE CONFERENCE

Greeting the participants of the conference

1. Ozodbek Akhmadovich NAZARBEKOV – Minister of Culture, Rector of the Institute of Uzbek National Music Art  named after Yunus Rajabi.
2. Simona Mirela MICULESCU – President of the UNESCO Assembly.
3. Ergash Alibekovich SALIYEV – Governor of Jizzakh region.

SPEECHES OF THE GENERAL ASSEMBLY

(Regulations for lectures are 10 minutes)

1.  MAQOM SCIENCE OF THE XXI CENTURY: HISTORY, THEORY AND PRACTICE.

Rustambek ABDULLAEV – Doctor of Arts, Professor (Uzbekistan)

1. CONNECTED HISTORIES OF UYGHUR MUSIC.

Rachel HARRIS – Professor of Ethnomusicology SOAS University of London. (England).

1. SHASHMAKOM AS AN ARTISTIC SYMBOL OF THE SPIRITUAL UNITY OF THE TAJIK AND UZBEK PEOPLES.

Asliddin NIZAMOV – Doctor of Art History, Head of the Art History Department of the National Academy of Sciences of Tajikistan (Tajikistan).

1. COFFEE-BREAK
2.  MASTER CLASS. “BUKHARA MAQOM PERFORMANCE TRADITIONS”.

Tolib TEMIROV, Eshpulat ORTIQOV – Teachers at the Abdurauf Fitrat Specialized School of Bukhara Maqom Art (Uzbekistan).

1.  FROM THE HISTORY AND PRACTICE OF VOCAL PERFORMANCE OF MUGAM.

Sanubar BAGIROVA – Doctor of Philosophy in Art Studies, Honored Art Worker of Azerbaijan (Azerbaijan).

1. ISSUES OF STUDYING VOCAL PERFORMANCE OF MUGAM IN THE HERITAGE OF BULBUL.

Lala GUSEYNOVA – professor, PhD in art history, Honored Artist of Azerbaijan (Azerbaijan).

1.  THE BALUCH ZAHIRIG GENRE  BETWEEN MAQÂM AND RAGA.

Jean DURING – CNRS Professor. Senior researcher at the National Center for Scientific Research (Paris-Nanterre) (France).

1.  A UNIQUE SOURCE ON MAQAMS.

Askarali RAJABOV – Honored Art Worker of Tajikistan, Doctor of Historical Sciences, Professor (Tajikistan).

1.  MASTER CLASS. “KHOREZM MAQOM PERFORMANCE TRADITIONS”.

Rustam BOLTAYEV – Associate Professor at Urgench State University, Ochilbek MATCHONOV – Teacher at the Khorezm Maqom Art Specialized School (Uzbekistan).

1. THE UNIQUENESS OF THE SHASHMAQOM SCALE.

Soibjon BEGMATOV – Candidate of Art Studies, Professor at the Institute of Uzbek National of Musical art named after Yunus Rajabiy (Uzbekistan).

14.00-15.00 LUNCH

1.  MASTER CLASS. MASTER CLASS. “FERGHANA-TASHKENT MAQOM PATHWAYS, TYPES, AND PERFORMANCE TRADITIONS”

Rifatilla QOSIMOV – Professor at the Institute of Uzbek National   Musical Art named after Yunus Rajabi (Uzbekistan).

1.  MAQOM AS COQNITION: LANGUAGE OF MUSIC-CONCEPTUALIZATION-GESTALT.

GULTEKIN SHAMILLI – Doctor of Science (Art History), Leading Researcher, State Institute for Art Studies (Russian).

1. ON THE PROBLEM OF THE COMPOSITIONAL STRUCTURE OF SARAHBORI GROWTH OF THE SHASHMAKOM SYSTEM.

Abduvali ABDURASHIDOV – Candidate of Art Studies, Professor at the Institute of Uzbek National  of Musical art named after Yunus Rajabiy (Uzbekistan).

1.  RESEARCH ON THE MAQOM OF “ROCK” IN UYGUR FOLK MUSIC AND ITS SIMILARITIES TO TURKISH MUSIC.

İsmail Hakkı GERÇEK – Professor, Doctor at the Ataturk University State Conservatory of Turkish Music (Online) (Turkey).

1.  FROM THE HISTORY OF SINGING PRACTICE OF FERGANA-TASHKENT MAQOMS.

Azizjon ZOKIROV - an associate professor of Institute of Uzbek National Musical Art named after Yunus Rajabi. (Uzbekistan)

1.  THE FOUNDER OF AZERBAIJANI MUGHAM: THE ANCIENT MUG TRIBE.

Abbasgulu NAJAFZADE – Doctor of Art History, Professor. (Azerbaijan)

1.  IQĀ FOR TARQĪṢ OR ṬARAB? TEMPO AND RHYTHMIC DENSITY IN ARAB ART MUSIC.

Saeid KORDMAFI – Lecturer in Musicology of the Middle East (SOAS) University of London. (England)

5:30 PM - 6:00 PM – Speakers for suggestions and comments:

(Time limit for each speaker is 5 minutes)

 

June 29, 2024

Moderators:

Asliddin NIZAMOV – Doctor of Art History, Head of the Art History Department of the National Academy of Sciences of Tajikistan (Tajikistan).

Alexander DJUMAEV – Institute of Art Studies of the Academy of Sciences of the Republic of Uzbekistan (Uzbekistan).

Secretary:

Asatillo SUNNATILLAYEV – Head of the Department of Scientific Research, Innovations and Training of Scientific and Pedagogical Personnel of the Institute of Uzbek National Musical art named after Yunus Rajabi, docent (Uzbekistan).

1.  MASTER CLASS. MASTER CLASS. “SHASHMAQOM PERFORMANCE ART TRADITIONS AND RULES”.

Abduvali ABDURASHIDOV – Candidate of Art Studies, Professor at the Institute of Uzbek National of Musical art named after Yunus Rajabiy (Uzbekistan).

1.  TO THE PROBLEM OF RECONSTRUCTION OF THE “OLD AESTHETICS OF MAKOMAT” AND ITS SIGNIFICANCE IN MODERN CONDITIONS.

Alexander DJUMAEV – Senior researcher at the Research Institute of Cultural Studies and Intangible Cultural Heritage, candidate of art history, culturologist (Uzbekistan).

1.  ĀVĀZ: THE MAQĀM OF IRANIAN MUSIC.

Mohsen MOHAMMADİ – ethnomusicologist, university of California, Los Angeles (USA).

1.  TO THE HISTORY OF THE ORIGIN OF THE BARDASHT PART IN AZERBAIJANI MUGAM-DASTGYAH.

Fardin MAHAMMADZADE –  Teacher and doctoral student of the Azerbaijan National Conservatory, Lala GUSEYNOVA – professor, PhD in art history, Honored Artist of Azerbaijan (Azerbaijan).

1.  ONCE AGAIN ABOUT THE HISTORICAL SIGNIFICANCE OF THE BUKHARA SCHOOL OF MAQOMS IN THE FORMATION OF THE SHASHMAKOM SYSTEM.

Farogat AZIZI – Doctor of Art Studies, Professor at the T. Sattorov Tajik National Conservatory (Online) (Tajikistan).

1.  THE CONTRIBUTION OF THE INSTITUTE OF ART STAFF TO THE STUDY OF MAKOMAT.

Dilorom KAROMAT – (PhD), Leading researcher at the Institute of Art History of the Academy of Sciences of the Republic of Uzbekistan (Uzbekistan).

11:00-11:30 COFFEE-BREAK

1.  “BUKHARA SHASHMAQOM: ON THE 100TH ANNIVERSARY OF THE FIRST NOTATION OF THE CYCLE”.

Ravshan Yunusov – Candidate of Art Studies, Professor at the Institute of Uzbek National of Musical art named after Yunus Rajabiy (Uzbekistan).

1. THE TOPIC OF NAVRUZ IN UZBEK MAQOMS.

Shakhnoza OYKHO’JAEVA – Candidate of Art Studies, Professor of Uzbek state Conservatory (Uzbekistan).

1.  FROM THE HISTORY OF BUKHARA SHASHMAQOM.

Bakhtiyor Ashurov – Associate Professor at the Uzbek State Conservatory. Doctor of  Philosophy (PhD) in Art Studies (Uzbekistan).

1.  MUGHAM OF AZERBAIJAN IN THE CONTEXT OF NATIONAL MUSIC.

Sehrana KASIMI – Leading researcher of the Department of History and Theory of Music of the Institute of Architecture and Art of ANAS, Doctor of Philosophy in Art Criticism, Associate Professor of Azerbaijan (Online) (Azerbaijan).

1.  A COMPARATIVE STUDY ON THE THEORY OF MAQOM AND TEACHING FORMS THAT CHANGED AND DEVELOPED IN TURKISH MUSIC FROM THE 12TH CENTURY TO THE 20TH CENTURY.

Nesrin FEYZIOĞLU – Ataturk University State Conservatory of Turkish Music, teacher of Turkish art music department, professor, doctor (Turkey).

1.  ISSUES OF FORMATION IN UZBEK AND KASHMIR MAKOMS.

Nilufar BOTIROVA – PhD student Institute of Uzbek National Musical Art named after Yunus Rajabi. (Uzbekistan)

1.  THE DEVELOPMENT OF THE STYLE OF COMPOSING ARAB TRADITIONAL SINGING; THE MUWASHAH IS A MODEL.

Ashraf ABDULRAXMAN – Assistant at the Higher Institute of Fine Arts affiliated with the Cairo Academy of Arts, specializing in music and critical studies, PhD (Arab Republic of Egypt).

8. PSYCHO-PHYSICAL CONNECTIONS IN RAST MUGHAM: FROM MUSIC TO MOVEMENT.

Sashar ZARIF - Researcher of  York University, Centre for Asian Research (Canada).

1:00 PM - 1:30 PM - Speakers for suggestions and comments:

(Regulations for speakers are 5 minutes)

1:30 PM - 2:00 PM - closing of the conference